Digital Illustration

This digital illustration was created as a poster for the Coterie Theatre’s annual production of Electric Poe. The design draws inspiration from the themes and atmosphere of Edgar Allan Poe’s work, translating them into a contemporary visual format.

This digital illustration was created as a poster for the Coterie Theatre’s annual production of Electric Poe. The design draws inspiration from the themes and atmosphere of Edgar Allan Poe’s work, translating them into a contemporary visual format. Through composition, imagery, and tone, the piece aims to capture the mood of the performance while engaging viewers in a visually striking and accessible way.

Afterparty draws from my memories of playing Klah Klok (Khmer) and Bầu cua cá cọp (Vietnamese), one of the many “friendly” gambling games that defined my Sundays with my big, chaotic family. Every weekend, we gathered at a cousin’s house to eat, dri

Afterparty draws from my memories of playing Klah Klok (Khmer) and Bầu cua cá cọp (Vietnamese), one of the many “friendly” gambling games that defined my Sundays with my big, chaotic family. Every weekend, we gathered at a cousin’s house to eat, drink, and gamble, the game mat spread across the floor beneath scattered coins and crumpled bills. We held our breath, eyes locked on the dice—then eruption: cheers, groans, laughter, the room alive with noise. As kids, we never gambled with our own money. Our aunts and uncles would slip us a few bills, just to make us feel included. I don’t remember if I ever won, but I remember feeling lucky—not in money, but in family. The kind of family that never said “I love you” outright, but showed it in quieter ways. I didn’t need to win to feel rich—I had already hit the jackpot.

his paper-cut piece depicts Ahp, a figure from Southeast Asian folklore known as a beautiful young woman whose organs detach and float as she roams at night, feeding on corpses of humans and animals. I was first introduced to Ahp through movies I wa

his paper-cut piece depicts Ahp, a figure from Southeast Asian folklore known as a beautiful young woman whose organs detach and float as she roams at night, feeding on corpses of humans and animals. I was first introduced to Ahp through movies I watched with my grandmother, where she both fascinated and terrified me. Despite her horror, she has become a recurring and enjoyable subject in my work. This piece reflects that duality—fear and fascination—while also holding space for the memories I share with my grandmother.

This illustration was created as a newsletter cover for Harvest, an annual event hosted by the Illustration Department. Inspired by the theme Mystiques, the composition features a potion emitting smoke, with the title integrated into the imagery and

This illustration was created as a newsletter cover for Harvest, an annual event hosted by the Illustration Department. Inspired by the theme Mystiques, the composition features a potion emitting smoke, with the title integrated into the imagery and framed by decorative borders reminiscent of a spellbook.

This poster was created for the Coterie Theatre’s production of Horse Power: Tom Bass, American Story. The piece draws from the life of Tom Bass, an American horse trainer who, despite being born into slavery, became one of the most respected figures

This poster was created for the Coterie Theatre’s production of Horse Power: Tom Bass, American Story. The piece draws from the life of Tom Bass, an American horse trainer who, despite being born into slavery, became one of the most respected figures in his field. The design reflects both the historical significance of his legacy and the central role of horsemanship, translating these elements into a visual composition that supports the storytelling of the production.

Mythic Witch was inspired by the prompt, “I stumbled upon a mythical witch the other day.” The piece imagines what that encounter might feel like, capturing a moment of curiosity, wonder, and uncertainty.

Mythic Witch was inspired by the prompt, “I stumbled upon a mythical witch the other day.” The piece imagines what that encounter might feel like, capturing a moment of curiosity, wonder, and uncertainty.

Apsara is inspired by the celestial dancers of Cambodian tradition, who are known to communicate with the gods through dance. Serving as both entertainers and messengers, their movements carry stories of devotion and spirituality. This piece depicts

Apsara is inspired by the celestial dancers of Cambodian tradition, who are known to communicate with the gods through dance. Serving as both entertainers and messengers, their movements carry stories of devotion and spirituality. This piece depicts an Apsara dancing before the Hindu god Brahma, emphasizing the connection between movement, storytelling, and the divine.

The Money Crab is for my dad. In my family, crab was never just food—it was celebration, reserved for special moments when we gathered together. I remember the air thick with steam, newspaper spread on the floor, my dad cracking each leg with care wh

The Money Crab is for my dad. In my family, crab was never just food—it was celebration, reserved for special moments when we gathered together. I remember the air thick with steam, newspaper spread on the floor, my dad cracking each leg with care while my sisters and I bickered over the biggest pieces. He never complained, never fought for his share—his joy was in seeing us happy. Love in our family wasn’t spoken; it was shown in full dinner tables, warm meals, and quiet gestures like this. The postcard version reads: “May the Money Crab bless you with great fortune—not just in wealth, but in family and friends,” sharing that unspoken love and generosity with others.

The Silken Fish is inspired by my mother, whose love is woven into the quiet rituals of every meal. Fried fish has always been my favorite, especially when returning home—the sizzle of oil, the gentle clatter of plates, and the careful way she sets a

The Silken Fish is inspired by my mother, whose love is woven into the quiet rituals of every meal. Fried fish has always been my favorite, especially when returning home—the sizzle of oil, the gentle clatter of plates, and the careful way she sets aside the best pieces for us. She gives without hesitation, asking for nothing in return, showing devotion in the simplest acts. The postcard version reads: “May you find comfort even in the smallest bite,” sharing that quiet, selfless love with others.

Lantern is inspired by the belief that lanterns protect us from evil spirits. Here, a lantern spirit rises to battle a dark force while the crowd below remains unaware, turning folklore into a moment of hidden heroism and protection.

Lantern is inspired by the belief that lanterns protect us from evil spirits. Here, a lantern spirit rises to battle a dark force while the crowd below remains unaware, turning folklore into a moment of hidden heroism and protection.